Poppy’s for Poppy’s Kindergarten Teacher 2019

Our oldest granddaughter Poppy wanted to give her very likable and helpful kindergarten teacher who was retiring a piece of stained glass. Obviously poppies was her choice. This piece measures approximately 4 inches wide by 6 inches high.

Design by Flory Wilkins

Beveled Northern Lights/Polar Bear Panel 2019

Our clients asked us if we could repair this beveled Polar Bear/Northern Lights panel, which measures approximately 40 inches wide x 14 inches high. Unfortunately the left side of the border came had pulled apart.  Fortunately the panel did not get broken.

We carefully removed that piece of border came and then re-attached it to the panel as well as strengthen all of the solder seams on both sides/corners of the panel that butted up to the came.

The first picture shows the completed repair, after being cleaned with Kwik Clean and Clarity stained glass polish applied.

This is a very pretty panel. Most of the glass used for the northern lights was Spectrums Artiques along with Spectrums white waterglass. The Polar Bear is a Glassmith bevel cluster.

The following photo shows where the left side came had come loose from the panel.

Designer unknown

Polar Bear Bevel Cluster by Glassmith Studios

 

Spruce Up Your Garden Spring 2018

Winter still grips Western Canada but spring will eventually arrive, so now is the time for you to plan  and obtain wonderful items to compliment your outdoors especially those deck flower pots. Our Garden Butterflies, Frogs, Ladybugs and Dragonflies will certainly brighten your flower beds, gardens, flower pots and add that special touch of beauty to your home.

We use very beautiful art glass for these items, including Youghiogheny, Armstrong, Kokomo, Uroboros, Wissmach, Spectrum and Bullseye, some of this glass is Iridescent which adds that extra touch of beauty.

Designs by Flory and Bob Wilkins

Zebra Panel Christmas 2017

This Zebra panel was commissioned for Christmas 2017 and measured 10 inches wide x 14 inches high. We fortunately still had some Spectrum Baroque #BR 6000 – Black/White/Clear for the 4 corners and for the rest of the frame we had a discontinued piece of Spectrum #4000-9SF Black/Clear.

We used Spectrum #1009W Black Waterglass for the Zebra’s black lines and Spectrum #200CC Corsica Pot White Opal for the white portions. For the nose and ears we used Bullseye Charcoal Grey  Double Rolled #1129.

The background glass was Spectrum #823.92 Teal Green Swirled with White Wispy. The frame is 3/8 inch zinc came, drilled very carefully with key chain rings inserted for the hanging chain,

When making panels we use the Morton Layout Block System and we use a metal square to ensure that the panel is square, as well as making sure corner to corner measurements are exactly the same.

Original Design by Chantal Pare with some slight modifications by Flory Wilkins

 

Loon Panel Restoration 2017

A client from Rimbey Alberta brought us this panel which if memory serves us correctly had been knocked off the window by her cat. When doing restorations like this we first do a rub by laying over the panel a taped down piece of white freezer paper. We then take carbon copy paper and rub the entire panel which traces the solder lines to the paper and that paper then serves as a guide to rebuild and restore the panel.

This panel was originally made by our clients daughter and we wanted to save as much as possible of her work when restoring this stained glass loon panel.

Then we removed the frame and proceeded to remove the necessary pieces of broken and other glass. In this case we worked from the bottom up and did not proceed beyond the dark blue glass below the brown colored glass as all from there to the top of the panel was still intact.

Fortunately we had matching replacement Spectrum Glass to replace the broken pieces.

The next photo shows the rebuilding process. We had to use quite a lot of new glass in the lower half due to the breakage and to restore proper fitting of the pieces.

When one does this without taking the whole panel apart, it is necessary to first solder together all of the new pieces, then placing some thin clear glass under the restored part in order to bring it up to the same level as the original top portion of the panel. This is required to ensure that new pieces connect properly at the same level. At the request of our client we changed the loon eye to red.

We also installed a 1/2 inch new zinc came frame around the panel.

After soldering we clean the flux off with Kwik Clean, take steel wool (#0000 – which does not scratch glass) to the solder seams. Then apply black patina, again cleaning with Kwik Clean and finally applying Clarity (Kem Pro) stained glass polish.

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